It’s not often I can say I’ve actually met someone famous
who I admire, and actually spoke to them.
East Sussex has plenty of home-grown celebs, such as Eddie
Izzard, Natasha Kaplinsky, Norman Cook and Arthur Brown. Its proximity to London
guarantees a certain number of famous faces to be spotted mooching through
Brighton’s North Laine, or even Lewes High Street. There’s often that moment
when, recognising them, you mistake them for someone you know and smile.
Sometimes you’ll get a smile back, or they look back, puzzled by your confident
greeting because they definitely don’t recognise you.
My biggest celebrity frisson this year until last Sunday was
when comedian Joe Wilkinson approached me in the library to find out where to
plug in his laptop. But then last Sunday with my Charleston Lit festival ticket
clutched in my sweaty hand (yes, it was actually warm enough to sweat) I didn’t
expect to get within 20 feet of acclaimed American writer, Barbara Kingsolver,
author most famously of The Poisonwood Bible.
Last year I read The Lacuna and enjoyed it. (No, it wasn’t just the Frida Kahlo thing.
Really.)
OK, yes, I loved the Frida Kahlo element, but it was the
portrayal of Trotsky I found the most intriguing.
And the attitude and treatment of the Japanese by American government
and media during WWI.
But then I read The Poisonwood Bible, the sort of book that
people press into your hands with a kind of frenzied excitement that you’d
expect from bearers of Watchtower magazine.
It took fewer than a dozen pages before I found out why.
A few chapters in and I had to take break. There was too
much going on to simply race through each delicious page. Like my
fourteen-year-old self overwhelmed by the beauty of Tender is the Night, I
needed to take a step back, relish the vicarious pleasures and sorrows of the
characters; appraise the view of the complex, contrary emotional landscape.
The story lived in me, or I lived in the story… it was
impossible to think about anything else. Then along came my Book Club book choice, Jeanette
Winterson’s Why Be Happy When You Could Be Be Normal? I loved it. I had wanted
to read it for so long. But, when it came to articulating my feelings about
such an incredible story of personal courage and endeavour in the face of a
loveless, damaged upbringing, I found that I could not do it justice. I was
still enmeshed in the Poisonwood Bible, waiting in trepidation to discover
which of the daughters would die. Fiction was more overwhelming than fact.
Books like The Poisonwood Bible are a gift. But, does that
make the author a giving person?
In the case of Barbara Kingsolver, I think it most certainly
is.
While ‘The Lacuna’ and The Poisonwood Bible’ deal with
themes of social and political injustice, it’s clearer than ever from the
environmental theme of her latest novel, Flight Behaviour that Barbara
believes that fiction can be a vehicle for social change.
Barbara says that the very process of entering a character’s
consciousness, someone you may think you have nothing in common with, and
seeing the world through their eyes, is one of the most powerful experiences
one can ever have, and she acknowledges the responsibility she feels for facilitating
such an experience. Storytelling is a powerful cultural element the world over
all over. Humans need stories: origin stories; moral parables; supernatural
tales; funny anecdotes.
In a world where science and art can seem very much at odds,
as the popular media strives to feed its audience with short-sighted editorial
that passes as news, and as ‘alternative’ subcultures edge towards an unquestioning
hippy embrace of vibrations, auras and fluffy spirituality, the scientist’s world
of empirical data seems light years away.
The infuriatingly lack of objective certainty which
scientists offer does not translate well into tabloid headlines, and becomes
increasingly misunderstood and misrepresented. If a scientist says, ‘Research
shows that the answer to this problem could be X, but it’s entirely possible
that it could be Y.’ The journalist will just ignore the data that doesn’t fit
her political paradigm.
As issues such as breast cancer, inoculations and, of course,
global warming get hi-jacked, the messages carried by the authority of black
and white print - or pixels – become
received wisdom. Thus breast-screening is good, MMR is linked to autism, and
global warming – that most inconvenient of truths - may not actually be happening. Those
hysterical women, those careless parents, those green loonies are all spouting
crap. Why? Cos we, the media, say so. Now, take a look at that car advertised on
page five.
As a scientist and an artist, Barbara Kingsolver is in a
position to fuse science and art to explore the real impact of environmental
disasters, the psychology of belief, and just why we humans are so willing to conspire in our own
destruction.
So, back to last Sunday at Charleston Literary Festival. And
Barbara Kingsolver speaks so eloquently about green issues alongside Caroline Lucas, the only Green Party MP in this country. I sit in the packed marquee
watching the silhouettes of birds and leaves flutter over their heads and
hesitate to bother an esteemed author with my own first impression of her book. It
seems a small, silly thing compared to the global issues of poverty,
industrialisation and the destruction of wilderness that are being so earnestly discussed.
As the event concludes, my friend and I stand to leave and we
observe the enormous queue forming for Barbara's book-signing, so instead we turn to the tea tent. Outside,
we huddle against the sea breeze gusting across the South Downs as we sip tea
from paper cups, chat about how much we’ve enjoyed the afternoon and watch the
beautiful literary folk mooching around Charleston.
Finally we decide the crowds will have died down enough to risk
the book tent and I can get my own copy of Flight Behaviour. To our surprise,
Barbara is still there! By now she looks a little pale and tired. She has
exchanged a few words with every person who has lined up to have their book
signed. A long day for someone who’s travelled several thousand miles and is recovering
from a recent surgery.
As I thrust my copy of Flight Behaviour under her nose I
decide to go for it. ‘The beginning to your book,’ I say, ‘I often listen to country music – particularly female Nashville artists – and when I read the
beginning of your book I felt transported to that world of gritty, impoverished
women whose only freedom is to jump in a car and drive.’
She smiles, and I feel like I’ve touched on something
that resonates with her. She tells me how one of her book groups in America
made a compilation CD of all the music referred to in Flight Behaviour, creating
a soundtrack for her novel. ‘What a touching gift!’ I say. And I am envious that they were able to
reciprocate so beautifully. For a book that you love is a gift, and it is only
human nature to want to give something back. Isn’t it?
So why have humans forgotten that we are obliged to give
something back to the planet that sustains us? Perhaps the task is just too great
for most people to comprehend, perhaps the weight of our disbelief is too great
to shift. Comedian Sean Lock once remarked that recycling his yoghurt cartons
felt about as useful as turning up to the aftermath of an earthquake with a
dustpan and brush. Believing that you can make a difference against a blitz
of consumerist propaganda and bad-news journalism is a challenge.
Things change. That can be scary or reassuring. Humans are capable of challenging and
changing some of the most seemingly intractable things. When I was a teenager
it seemed impossible that Nelson Mandela would ever be released, that apartheid
would go, that the Berlin Wall would ever fall … that Margaret Thatcher would
ever leave Downing Street.
I recall a quote from an unlikely source – The Lone
Ranger's sagacious comrade, Tonto: Respect the earth; you’ll be part of
it one day.
If the only thing I can do is divide up my rubbish for
recycling, then I’ll do it to avoid contributing to more acres of landfill. Maybe you think I’m
sucked in by a Green conspiracy or middle class sanctimony, but hey, what do
you believe in?
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